Imán esmaltado: Bailarina de Degas con un ramo
Imán esmaltado: Bailarina de Degas con un ramo
En existencias
Más de la mitad de las obras de Edgar Degas representan bailarines. De hecho, aproximadamente 1.500 pinturas, pasteles, grabados y dibujos de bailarines o bailarinas, la mayoría de los cuales representan a bailarines tras bambalinas o ensayando, enfatizando su condición de profesionales haciendo un trabajo.
A partir de 1870 , Degas pintó cada vez más temas de ballet, en parte porque se vendían bien y le proporcionaban los ingresos necesarios después de que las deudas de su hermano dejaran a la familia en bancarrota.
- Imán de esmalte suave
- 1¼ pulgadas (3,17 cm) de ancho
- diseño de 8 colores
Product Details
Product Details
- Product type: Magnet
- Shipping Dimensions: 4.5 × 2.375 × 0.125 inches (11.4 × 6.0 × 0.3 cm)
- Shipping Weight: 0.03 lb (0.5 oz; 14 g)
- SKU: SKU: SKU010007342
- UPC: 717932974322
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Edgar Degas, hoy es el dia del arte, Imanes, Productos con descuento, Regalos por menos de $25, Todos los productos.Edgar Degas
Edgar Degas (1834 – 1917) was a French Impressionist artist famous for his pastel drawings and oil paintings. Degas also produced bronze sculptures, prints, and drawings. Degas is especially identified with the subject of dance; more than half of his works depict dancers. Although Degas is regarded as one of the founders of Impressionism, he rejected the term, preferring to be called a realist, and did not paint outdoors as many Impressionists did.
Degas was a superb draftsman, and particularly masterly in depicting movement, as can be seen in his rendition of dancers and bathing female nudes. In addition to ballet dancers and bathing women, Degas painted racehorses and racing jockeys, as well as portraits. His portraits are notable for their psychological complexity and their portrayal of human isolation.
At the beginning of his career, Degas wanted to be a history painter, a calling for which he was well prepared by his rigorous academic training and close study of classical Western art. In his early thirties he changed course, and by bringing the traditional methods of a history painter to bear on contemporary subject matter, he became a classical painter of modern life.
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