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Lámina pequeña enmarcada, Una judía de Marruecos: Traje de fiesta de Charles-Emile-Hippolyte Lecomte-Vernet

Lámina pequeña enmarcada, Una judía de Marruecos: Traje de fiesta de Charles-Emile-Hippolyte Lecomte-Vernet

Chrysler Museum of Art

Precio habitual $58.38 CAD
Precio habitual Precio de oferta $58.38 CAD
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En existencias

Las pequeñas impresiones enmarcadas del Museo Chrysler ofrecen una superficie texturizada de alta calidad y un marco personalizado, lo que las hace ideales para espacios reducidos. Cada grabado lleva una etiqueta identificativa en el reverso, que incluye el nombre del artista y el título de la obra.

Charles-Emile-Hippolyte Lecomte-Vernet
Francés (1821-1900)
Una judía de Marruecos: Traje de fiesta , 1868

  • Impresión pequeña texturizada enmarcada personalizada
  • Accesorios para colgar incluidos.
  • El estilo del marco puede variar del que se muestra.

Product Details

  • Product type: Framed Print
  • Shipping Dimensions: 7.125 × 5.75 × 0.75 inches  (18.1 × 14.6 × 1.9 cm)
  • Shipping Weight: 0.31 lb (5.0 oz; 141 g)
  • SKU: SKU: SKU010012966

In these collections:

Camille Pissarro, Farm to Table, Hecho en EE.UU, Impresiones enmarcadas pequeñas, Museo de Arte Chrysler, Productos con descuento, Regalos por menos de $50, Todos los productos.
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Camille Pissarro

About the Artist

Camille Pissarro

Jacob Abraham Camille Pissarro (1830 – 1903) was a Danish-French Impressionist and Neo-Impressionist painter born on the island of St Thomas (now in the US Virgin Islands, but then in the Danish West Indies). His importance resides in his contributions to both Impressionism and Post-Impressionism. Pissarro studied from great forerunners, including Gustave Courbet and Jean-Baptiste-Camille Corot. He later studied and worked alongside Georges Seurat and Paul Signac when he took on the Neo-Impressionist style at the age of 54.

In 1873 he helped establish a collective society of fifteen aspiring artists, becoming the "pivotal" figure in holding the group together and encouraging the other members. Art historian John Rewald called Pissarro the "dean of the Impressionist painters", not only because he was the oldest of the group, but also "by virtue of his wisdom and his balanced, kind, and warmhearted personality".

Pissarro is the only artist to have shown his work at all eight Paris Impressionist exhibitions, from 1874 to 1886. He "acted as a father figure not only to the Impressionists" but to all four of the major Post-Impressionists, Cézanne, Seurat, Gauguin, and van Gogh.

Camille Pissarro in the Chrysler Museum
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