Tarjeta postal: "Un cartucho de piedra con la Virgen y el Niño, rodeado por una guirnalda de flores" de Jan Philips van Thielen y Erasmus Quellinus II
Tarjeta postal: "Un cartucho de piedra con la Virgen y el Niño, rodeado por una guirnalda de flores" de Jan Philips van Thielen y Erasmus Quellinus II
Agotado
Impresas en cartulina resistente con un acabado mate, nuestras tarjetas postales de gran tamaño a todo color son ideales para enviar o crear su propia colección Chrysler.
Jan Philips van Thielen
(flamenco, 1618-1667)
Erasmo Quelino II
(flamenco, 1607-1678)
Cartucho de piedra con la Virgen y el Niño rodeados por una guirnalda de flores , 1651
Óleo sobre cobre
Museo de Arte Chrysler, Norfolk, Virginia
Compra de museo 94.28.1
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Product Details
Product Details
- Product type: Postcard
- Shipping Dimensions: 7.0 × 5.0 (17.8 × 12.7 cm)
- Shipping Weight: 0.02 lb (0.3 oz; 8 g)
- SKU: SKU: SKU010012947
- Part No.: 2024001
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Camille Pissarro
Jacob Abraham Camille Pissarro (1830 – 1903) was a Danish-French Impressionist and Neo-Impressionist painter born on the island of St Thomas (now in the US Virgin Islands, but then in the Danish West Indies). His importance resides in his contributions to both Impressionism and Post-Impressionism. Pissarro studied from great forerunners, including Gustave Courbet and Jean-Baptiste-Camille Corot. He later studied and worked alongside Georges Seurat and Paul Signac when he took on the Neo-Impressionist style at the age of 54.
In 1873 he helped establish a collective society of fifteen aspiring artists, becoming the "pivotal" figure in holding the group together and encouraging the other members. Art historian John Rewald called Pissarro the "dean of the Impressionist painters", not only because he was the oldest of the group, but also "by virtue of his wisdom and his balanced, kind, and warmhearted personality".
Pissarro is the only artist to have shown his work at all eight Paris Impressionist exhibitions, from 1874 to 1886. He "acted as a father figure not only to the Impressionists" but to all four of the major Post-Impressionists, Cézanne, Seurat, Gauguin, and van Gogh.
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