Tapestry Throw: Lady In Yellow by Susan Watkins
Tapestry Throw: Lady In Yellow by Susan Watkins
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A luminous portrait of quiet strength and refined elegance, Lady in Yellow captures Susan Watkins’ sister, Eleanor Reeves, seated in a flowing yellow gown. Painted with sensitivity and restraint, the work reflects Watkins’ deep understanding of light, texture, and intimacy—hallmarks of her finest portraits.
This tapestry throw brings the warmth and poise of Eleanor’s likeness into the home, whether displayed on the wall or used as a decorative accent. Woven in the USA on jacquard looms, this exclusive piece celebrates the enduring legacy of women artists during the Progressive Era—and the personal bonds that inspired their work.
- Tapestry measurements do not including fringe
- Suitable as a wall hanging, or lap throw
Product Details
Product Details
- Product type: Tapestry
- Shipping Weight: 4.0 lb (64.0 oz; 1814 g)
- SKU: SKU: SKU010015263
In these collections: Alle Produkte, Chrysler-Exklusivität, Geschenke unter 1.000 $, Susan Watkins, and Susan Watkins and Women Artists of the Progressive Era.
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Chrysler Exclusive
Available only from the Chrysler Museum Shop.
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Made in USA
Products made in USA support the American economy, and reduce the environmental impact of transporting goods around the globe.
Über den Künstler
Susan Watkins
Susan Watkins (1875 – 1913) was an American artist, known for painting in the styles of realism and impressionism. She studied under William Merritt Chase and Raphaël Collin.
At his death in 1946, Norfolk, Virginia, banker Goldsborough Serpell bequeathed to the Norfolk Museum of Arts and Sciences (now the Chrysler Museum of Art) a remarkable gift of paintings, oil studies, academic drawings, and sketches by his wife, the artist Susan Watkins. Among the most important acquisitions made by the museum prior to the arrival of Walter P. Chrysler's collection in 1971, the donation comprises sixty-two works of art by Watkins, as well as photographs, scrapbooks, and other memorabilia documenting her career. It also includes a posthumous portrait of the artist painted by her colleague and longtime friend William Merritt Chase.
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