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Dürer

Dürer

Taschen

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A polymath of the German Renaissance, Albrecht Dürer (1471–1528) was a prolific artist, theorist, and writer whose works explored everything from religion to art theory to philosophy. His vast body of work includes altarpieces, portraits, self-portraits, watercolors, and books, but is most celebrated for its astonishing collection of woodcut prints, which transformed printmaking from an artisan practice into a whole new art form.

Dürer’s woodcuts astonish in scale as much as detail. Through works such as Apocalypse and the Triumphal Arch for Emperor Maximilian I, he created dense, meticulous compositions that were much larger, much more finely cut, and far more complex than any earlier woodcut efforts. With an ambitious tonal and dynamic range, he introduced a new level of conceptual, emotional, and spiritual intensity. His two major woodcut series on Christ’s Passion, named The Large Passion and The Small Passion after their size, are particularly remarkable for their vivid human treatment of the Christian narrative. In his copper engraving, Melancholia I, meanwhile, Dürer created a startling vision of emotional ennui, often cited as a defining early image of a depressive or melancholic state.

Ever inquisitive, Dürer absorbed ideas not only from masters and fellow artists in Germany but also from Italy, while his own influence extended across Europe for generations to come. In this essential TASCHEN introduction, we explore this pioneering figure’s complex practice, his omnivorous intellect, and the key works which shaped his enduring legacy.

    • Product Type: Monograph, Hardcover
    • 96 pages, with 100 illustrations
    • Published in 2016
    • Shipping Dimensions: 10.2 × 8.3 × 0.7 inches  (25.9 × 21.1 × 1.8 cm)
    • Shipping Weight: 1.3 lb (20.8 oz; 590 g)
    • SKU010002441 | 9783836530811

    In these collections:

    Albrecht Dürer | All Products | Basic Art Series Monographs | Books & Media | Gifts Under $25 | Monographs | Taschen
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    Albrecht Dürer, Self-Portrait at 26 (1498)

    About the Artist

    Albrecht Dürer

    Albrecht Dürer (1471 - 1528) was a German painter, printmaker, and theorist of the German Renaissance. Born in Nuremberg, Dürer established his reputation and influence across Europe in his twenties due to his high-quality woodcut prints. He was in contact with the major Italian artists of his time, including Raphael, Giovanni Bellini, and Leonardo da Vinci, and from 1512 was patronized by Emperor Maximilian I.
    Dürer's vast body of work includes engravings, his preferred technique in his later prints, altarpieces, portraits and self-portraits, watercolours and books. The woodcuts series are more Gothic than the rest of his work. His well-known engravings include the three Meisterstiche (master prints) Knight, Death and the Devil (1513), Saint Jerome in his Study (1514), and Melencolia I (1514). His watercolours mark him as one of the first European landscape artists, while his woodcuts revolutionised the potential of that medium.

    Dürer's introduction of classical motifs into Northern art, through his knowledge of Italian artists and German humanists, has secured his reputation as one of the most important figures of the Northern Renaissance. This is reinforced by his theoretical treatises, which involve principles of mathematics, perspective, and ideal proportions.

    Taschen

    About the Publisher

    Taschen

    For more than 40 years, Taschen has published high-quality art books. Whether in lavishly produced editions for collectors with nearly limitless budgets, or more compact editions with much more gentle price tags, Taschen never compromises on quality. Watch this video to learn more about how Taschen books are made.

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