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Post Card: "Saint Sebastian" by Nicolas Régnier

Post Card: "Saint Sebastian" by Nicolas Régnier

By Chrysler Museum of Art

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Printed on sturdy card stock with a matte finish, our full-color oversized post cards are great for sending or creating your own Chrysler collection.

Nicolas Régnier
(Flemish, 1591-1667, active Italy)
Saint Sebastian, ca. 1620
Oil on canvas
Chrysler Museum of Art, Norfolk, VA
Gift of Walter P. Chrysler, Jr. 71.558

Explore related artwork by Nicolas Régnier at the Chrysler Museum

Product Details

  • Requires First Class Letter Postage to mail
  • Product type: Postcard
  • Shipping Dimensions: 7.0 × 5.0
    (17.8 × 12.7 cm)
  • Shipping Weight: 0.02 lb (0.3 oz; 8 g)
  • SKU010008060 | UPC: 2022003

About the Artist, Nicolas Régnier

Born in the Flemish village of Maubeuge, Nicolas Régnier first studied painting in Antwerp with Abraham Janssens, who had visited Italy around 1600 and whose art had been influenced by the Roman style of Caravaggio. After leaving Janssens' shop, Régnier himself journeyed to Rome around 1615 and there continued his studies with the painter Bartolomeo Manfredi, among the most important of Caravaggio's Italian followers. Remaining in Rome until 1625, Régnier became a prominent member of the city's colony of Flemish artists and was employed by several influential art patrons, including Caravaggio's former protector Vincenzo Giustiniani.

In his Roman paintings, Régnier endorsed Caravaggio's emphatic use of chiaroscuro (light-dark contrasts) to model form. By 1626 Régnier had settled in Venice, where he remained for the rest of his life. During his Venetian period he renounced his Caravaggesque aesthetic for a lighter, more elegant style influenced by Guido Reni (no. 18). All four of his daughters became painters; one married the prominent Venetian artist Pietro della Vecchia.

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Your purchase supports the mission and programs of the Chrysler Museum of Art (including the Perry Glass Studio, and the Moses Myers House). We couldn't do what we do without you. Thank you.

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