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Limited Edition Serigraph by Preston Singletary: Tinnaá Copper Form

Limited Edition Serigraph by Preston Singletary: Tinnaá Copper Form

Preston Singletary

Regular price $400.00 USD
Regular price Sale price $400.00 USD
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This 30 x 22 inch limited edition serigraph, "Tinnaá Copper Form," by Tlingit artist Preston Singletary, embodies the profound symbolism of the Tináa, or copper shield, a revered emblem in Tlingit and Haida cultures. Created in 2010, this print is signed and numbered #90 of 100, highlighting its rarity. Singletary’s work intricately weaves traditional Indigenous motifs with contemporary artistry, offering collectors a meaningful piece that honors cultural heritage and artistic mastery.

  • Unframed

Product Details

  • Product type: Artwork
  • Shipping Dimensions: 32.0 × 24.0 × 2.0 inches  (81.3 × 61.0 × 5.1 cm)
  • Shipping Weight: 3.0 lb (48.0 oz; 1361 g)
  • SKU: SKU: SKU010008681

In these collections:

All Products, Clearly Indigenous: Native Visions Reimagined in Glass, Discountable Products, Gifts Under $1,000, Hand Made, Preston Singletary.
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  • Unicorn (One of a Kind)

    One of a Kind

    This item is unique (not mass produced). When we sell it, it will be gone!

  • Made by Hand

    Hand crafted with love.

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    Made in USA

    Products made in USA support the American economy, and reduce the environmental impact of transporting goods around the globe.

About the

Preston Singletary

Preston Singletary (b. 1963) is a Native American glass artist. He is perhaps best known for his use of glass to express and explore traditional Tlingit themes. Many of his works reference clan crests, including the killer whale, which his family claims. Singletary has worked extensively with other native artists creating glass art works such as the Founders Totem Pole (2001) and Devilfish Prow, one of a series created in collaboration with Maori artist Lewis Tamihana Gardiner (2007). Some critics view Singletary's work as not truly Tlingit, because he works in glass rather than more traditional materials, like wood. But Singletary sees himself as "transforming the culture and forging new paths," which he believes should be allowed."

Preston Singletary in the Chrysler Museum
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